27 September 2016

Christian Symbols (Materials)

Each day at the European Godly Play® conference we had two workshops. Knowing I'd need a break and a change of pace after plenary lectures and conversations, I made sure that one of my workshops each day was a hands-on one.

During the workshop hosted by Johanna Kaarto-Wallin, who makes the Finnish Godly Play® materials, I painted (or rather, stained) a wooden set of Christian symbols. This isn't a lesson included in the books, but is very like the Crosses lesson (vol. 4). 

Mine is a slightly different set of symbols than is sold in North America. I didn't come across the tradition of votive ships until I visited churches in the Nordic countries, so it doesn't surprise me that although not all sets include a ship there is one in Johanna's materials.

a model of a three-masted sailing ship hangs from a whitewashed arch
votive ship in Ravlunda Church
licensed photo by Yakikaki (source)
Even the North American materials site shows two slightly different sets of symbols: compare this with this. That sure gets me wondering! I wonder what symbol you would add to this set? I wonder if there's a symbol you think we could do without? 

19 September 2016

European Godly Play conference - last day - stories

We've begun and ended each day of the conference with stories. This morning I had planned to listen to Mary Cooper tell The Ark and the Tent. I was really looking forward to it... But I lingered too long over breakfast (and/or, lingered too long in getting out of bed so had less time at breakfast), and by the time I got to her room there was no room left. At least six of us were turned away.

So, I joined another circle and listened to Rosemary Lavelle tell The Great Family. We commented during the Wondering on how smoothly she managed the 'sleight of hand' involved in 'burying' the bodies of those who die (first Sarah and later Abraham). And some people shared ways in which they had found those deaths to be an important, beautiful, helpful part of the story. 

The story is about death and also about birth. So it was truly lovely to have in our midst a baby, who occasionally gurgled and cooed. His mother said afterwards she had worried he might disturb, but for me, it added to the story, and when we were asked about our favorite part, I said mine was having a baby present and audible for this tale.

Afterwards, we listened to a plenary lecture by one of our organisers, Rune Øystese. He found himself in that difficult position of having less time than he'd planned for, but he squeezed a lot of worthwhile information into that time, talking about stories - stories in education, Bible stories, myths or grand narratives, and the ways these overlap. 

An idea posed early on in the talk was this: When we use a story to illustrate a point we may close the story. That is to say, we may allow it only one meaning or moral, sapping its energy. 

It has certainly been my experience at this conference that it has been eye-opening (as it so often has been in the past as well) to hear and see the many different ways people respond to one and the same story. A myriad of different parts they liked best, the breadth of thoughts sparked by a parable, and yet the way this discussion of varied viewpoints can bring us together as a community sharing a common story.

18 September 2016

Conference Day 4 - Deep Talk

I've been hearing about it for years, but today I finally got a handle on what Deep Talk is. I knew it was something that Tuula Valkonen had developed based on Godly Play, and that she took it to corporations and businesses, but how- what- What?!? I didn't really understand.

Today I went to her conference workshop and experienced it for myself.

There is a cloth on the flloor covered in sand. Little wooden figures representing people have been placed in the sand, and a hand is reaching out to place yet another.

Jerome W. Berryman calls it "an adaptation of Godly Play ... to help work communities develop in creative ways". It's been adopted by the University of Sheffield chaplaincy as "a chance to explore with others by joining a wondering reflection, conversation and discussion... allow[ing] for quick, honest and deep reflection".
A piece of fabric covered with sand is on the flloor. Someone is holding their hands over the sand, close but not touching it. In one hand is a crystal or prism.It had elements in common with a team-building day my university department once participated in. And it had elements of Godly Play, of course.

Based on today's taster, I would say that it's primarily a way to facilitate group communication and encourage good group dynamics. It's designed to appeal to secular organisations, while retaining a subtle Christian element - not imposed but available to those who wish to take it up. If used in a church setting that could obviously be enhanced. In secular use Deep Talk might be a bridging activity, creating links between church and community, making the church feel more accessible and welcoming to those outside it, and showing that we can offer "practical" help beyond our own walls.

I bought Tuula's book today, and look forward to learning more.

17 September 2016

Conference Day 3 - Reminded of Playfulness

This morning started out with a Godly Play story. We had a choice of seven circles to join, each telling a Parable, but in six different languages. I went to hear the Parable of the Great Pearl told in Spanish.

I know that our storytelling can (and indeed should) be rather playful, but that does not always come naturally to me. It is certainly helpful to see how others do it. I remember in training watching Rebecca Nye as she put materials away, playfully flicking a rolled-up underlay back and forth a bit, unrolling and re-rolling it a bit. It was playful but also emphasised that we should roll those underlays back up as we put them away.

This morning, I watched David Pritchard playfully act out how heavy the merchant's bags of money were, and mop his own brow as he "struggled" to carry all the possessions across to pay for the pearl. 

picture of parable materials spread on the floor: a large white circle, brown outlines representing buildings, some containing single pearls and one filled with many possessions. Also on the white circle is the flat figure of the merchant, with a single pearl placed on his hand.

During our Response Time, therefore, I felt encouraged to be a little playful with the figures on the focal shelf, and brought the shepherd and sheep from the Holy Family across to interact with the Good Shepherd and his sheep:

Flat wooden figures mounted on bases to stand upright: A male figure carrying a lamb on his shoulders, and five sheep enclosed by a wooden toy fence. Also within the fence is a wooden sheep from a nativity set, and next to the "Good Shepherd" is the shepherd from a nativity set.

15 September 2016

ready for the 5th European Godly Play Conference

I am so pleased to be at the European Godly Play Conference! The conference proper doesn't start until tomorrow, but today we began an academic programme with a plenary lecture on ethical questions concerning research with children, a paper on the methodology of academic research, and another on primary school teachers' and students' responses to Godly Play®. After a very interesting poster session (10 five-minute presentations plus time to speak with those presenters in small groups or even one-on-one), it was time for a story:

A figure kneels, arms outstretched. The image is cropped so you cannot see the person's face, but they have just laid a linen cloth on the floor in front of them. A partially-open box sits beside the person.

This photo captures my sense of the beginning of this conference. There is a lot still in the box, and the underlay is like a 'blank slate'. We shall see how things develop from here!